A 3,000-square-foot Newport Beach residence by Studio Gutow, layered with Italian marble, aged limestone, and vintage furniture selections.
A seating collection by Shanghai studio ONE WEEK, rounded and upholstered in Kvadrat's 3D knitted wool across 3 configurations with recessed armrests.
Hanne Kjærholm's 1962 house outside Copenhagen, designed by husband Poul Kjærholm, preserving its steel-and-glass structure among birch trees and brick walls.
A Federal-style Brooklyn home extended with a poured concrete rear addition organized around light and garden
A modular storage system by Quito studio ASET, its 3 stainless steel module sizes combining in any direction without tools, fasteners, or fixed limits.
A woodland retreat by Heliotrope Architects, its 3 wings arranged around a central clearing on a wooded Pacific Northwest site, each serving its own program.
A converted 1902 Edwardian sports hall in London serving as studio and residence for Tutto Bene
A coffee table by New York's Birnam Wood Studio with jewelry designer Suna Bonometti, pairing hand-carved wood legs with a geometric stone top.
A house in Kobe by Tomohiro Hata, its wooden arches built into cross-shaped columns that respond to layered retaining walls and steep terrain.
A 3-story Upper West Side townhouse renovated by Chango & Co, with neutral materials, a skylit staircase, and custom bouclé upholstery throughout.
A furniture series by Deceres, translating Mayan, brutalist, and pre-Columbian forms into 3 handcrafted oak pieces designed between Mexico City and California.
A narrow Osaka house by Fujiwaramuro Architects, its curved plaster walls directing movement and opening and closing rooms as they bend.
A Mallorcan estate by BonVivant, filled with work from local artists connecting ceramics, paintings, and textiles to the island's craft traditions.
A furniture collection by Los Angeles studio Vonnegut Kraft, built from geometric plywood shapes finished in bold, saturated colors.
A house in Takamatsu by Fujiwaramuro Architects, using translucent polycarbonate screens and offset floor plates for privacy without walls on a visible lot.
A 1930s Parisian house restored by architect Katja Pargger, with mineral-coated walls, oak herringbone floors, and a sunken pit lined in Hermes leather offcuts.
A dining set by Los Angeles studio Willett, pairing bent plywood with geometric precision to shift the table and chairs between function and sculpture.
A Sao Paulo house rebuilt by Felipe Hess, its walls removed for a white metal structure connecting half-levels from pool to rooftop in exposed concrete.
A Guangzhou apartment by Chen Zhichao Design, opened to natural light through repositioned walls and enlarged openings across 3 white-surfaced floors.
A rebuild of Gerrit Rietveld's 1918 Red and Blue Chair by Seoul studio TIEL, using aluminum profiles, HDPE panels, and 3D-printed joints in place of woodworking.
A Canberra house by designer Peter Besley, built from salvaged timber and recycled steel with structural elements sourced from demolished buildings nearby.
An Amsterdam flagship store by Studio EEUW Archiv, built from raw plaster walls, steel fixtures, and exposed building systems as unfinished architecture.
A coffee table by Adelaide studio SATURDAY YARD WORK, cast in aluminum from deformed polystyrene molds that preserve every crease of the original foam.
A rebuilt rear extension on a Grade II listed 1840s London house converted into a ceramics studio with a wet and dry working zone
A 150-square-meter Beijing workspace by NOTHING DESIGN, its white micro-cement surfaces framing mid-century furniture by Panton, Jacobsen, and Paulin.
A furniture collection by Paris studio Atelier d'Amis, casting construction-grade concrete into tables, benches, and shelving from standard building materials.
A single-story Brentwood house for Jenni Kayne by Vincent Van Duysen, built around a central courtyard with Belgian brickwork and oak-facing glass panels.
A 1930s Los Angeles hunting shack preserved by NoNo Studio, keeping original cedar paneling and adding custom oak-walnut millwork and Italian marble surfaces.
A chair by Valencia studio Oficina Penades, its ash wood frame held together entirely by leather belts instead of screws, glue, or permanent joints.
Christian and Ruxandra Halleröd's own 82-square-meter cedarwood weekend home on Blidö island in the Stockholm archipelago
Not every search lands. Try a material, a maker or a city, or start over with the whole collection.
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